The easiest way to negotiate is to have someone else to do it for you. Authors may hire an agent or lawyer to negotiate the agreement on their behalf. There are very few agents in New Zealand and most writers will not be able to afford a lawyer. But if there is a way to hire an agent, even if it is only a matter of negotiating a single contract, the authors should take it into account. The main advantage here is that the writer is not obliged to discuss business with the producer, which allows him to focus on creative topics. Agents and lawyers are also usually experienced in negotiations and it is always easier to negotiate on behalf of someone else than for yourself. In an industry like ours, where work is often scarce, writers may be reluctant to negotiate. Writers may think that they should simply accept the contract and the prices they face so that they don`t seem “difficult” or “difficult”. All authors have the right to negotiate a fair agreement for the value of their work. In addition to the Independent Production Agreement (API), the WGC has also entered into agreements with the CBC, the NFB and several broadcasters (broadcasting agreements are for in-house production only).
To obtain copies of the Agreement you need, please contact the WGC at (416) 979-7907 or 1-800-567-9974 or email email@example.com. Because of the way they work, most freelance writers will be entrepreneurs. However, a writer who is hired by a single employer with a long-term contract can legally be an employee. The minimums annex describes the minimum rates of pay for authors who fall under the Minimum Basic Agreement (MBA). Review the minimum requirements for authors covered by the 2020 MBA. When using these model agreements, it should be noted the following: The contract is intended to facilitate the negotiation process between an author or his representative and a company that employs that author. Companies, writers and their representatives can use these forms to recall employment contracts before filing a “long” contract. WGGB tariffs and agreements include television, theatre, radio and certain areas of film.
In addition, you will find detailed advice on best practices in the guidelines and brochures we create. These are all available in PDF format in the Resources section or at WGGB headquarters. We can also advise members by phone or email. Go to the Contacts section. Guidelines for authors of video games, animations, comics and musical theatre (as well as the areas listed above) can be found in our Resources section, neither the NZWG nor SPADA assume any liability or cost that any party may have incurred as a result of using these agreements. Formal agreements come in many forms, they must all contain the following points (as well as any other additional information relevant to the specific project). The main contract we negotiate for independent members is the Minimum Basic Agreement (MBA). In addition, we offer several other freelance contracts and agreements. In New Zealand, unlike other screen industries, there are no minimum agreements to create a sub-number of prices and conditions for authors` involvement. .